GUSHU MOVING ARTS
May 10, 2016
Back in Brooklyn, Gushue Moving Arts joined with Triskelion Arts in their new space to showcase an evening of dance. Husband and wife team Charles Gushue and Rebecca Sproul Gushue present an engaging program with works they have been creating through residencies and MFA program.
To begin the night, Rebecca stands at stage front in a show stopping red dress and sings along with Elle King’s cover of Khia’s famous “lick my neck, my back, lick my pussy and my crack.” While Rebecca sings this dreamy rendition, two dancers in shining unitards move in repetitive sequence; so starts the female-centric Hen Haus. At the song’s conclusion Rebecca asks the dancers a series of questions about being female and gender self perception. Meanwhile the repeating sequence has grown more intricate that the dancers keep checking in with each other to make sure they know where they are in sequence. Forcing the dancers to self examine while already being asked to continue in a dizzying array of swirls and counts speaks to the way women move through the world.
One Lap moves at a very different pace. Choreographers Rebecca and Nicole Kaplan jog on-stage. Lap after Lap the run until the moment the music kicks in, when they jump into movement phrases that cover space. Weaving in and out of each other, stopping where the other one stops, finding rhythm in a jumbling score by Brian Eno, this piece picks you up, carries you along and then gentle and exhausted, lets you go.
The Augur and the Amateurs presents energy and thoughtfulness to a pounding club score. Ranging from heavily athletic choreography to small experiential moments like striking up conversations with the audience, this piece zooms through fields of exploration. Charles’ unique uses of sound and vocalizations asks the audience to contemplate how we contextualize noises. One example of this is a solo scored by a basketball court. The sounds sequence had been played earlier in the piece, but now by adding precise choreography that familiar noise it changed the way we understand each sound. Cartoonish and funny at some points, while breathy and full at others, sound is made to match to movement rather than the more common alternative.
What stood above all else in The Augur and the Amateurs was the use of the audience. Asked to stand on stage in place for the first section, members of the audience watch as dancers move through them. As they are placed back in their seats, they are far from done being involved. We are talked to, sat on, pulled up to socially dance, never left feeling like we should disengage. Mostly being used as a tool to set the stage or create an atmosphere, it once again gave new context and forced a new lens with which to view what we were watching. The new work is extremely entertaining, leaving never a dull moment.
Gushue Moving Arts kicked off to a promising start and whatever they have coming next will also grab us by the hand and hang on tight until we are dancing along, uninhibited yet thoughtful.
EYE ON THE ARTS, NY -- Annie Woller