Performing Arts: Dance
  PETER QUANTZ/JODI GATES
June 4, 2012
Peter Quanz and Jodie Gates presented very different perspectives on contemporary ballet at the Joyce Theater’s Gotham Dance Festival.

For Quanz, contemporary seemed to be an extension of ballet technique and classical choreographic form. In contrast, Gates utilized the combination of the articulation of modern and the lines of ballet as a vehicle for personal expression.

Q Dance, Peter Quanz’s company, founded in 2010 in Canada, is an intimate group of technically proficient ballet dancers with exquisite physique. “In Tandem,” had a minimalist set, tasteful costumes, and exciting music. But it primarily gave dancers an opportunity to show off. Yes, they are skilled, but in this piece, technique was a mask that disguised who the dancers really are and what the choreography expressed.

In “Luminous,” the dancers, dressed in gold bodysuits against a stark black background, were carried by bold music. True to their training, the dancers grazed the top of every step, and the outside of every embrace. Although the dancing was impressive and the choreography well crafted, Quanz would benefit from incorporating movement experiences outside his comfort zone.

BalletX, who performed Jodie Gates’s first piece on the program, “Delicate Balance” took a different approach. While utilizing the clean lines of these ballet-trained dancers, Gates integrated modern dance principles to create an intimate, sensual world. Seamlessly transitioning from solos to group work, to partnering duets, the dancers, dressed in earthy, pedestrian costumes, fulfilled and embraced every moment of the choreography. The piece began and ended with Chloe Felesina’s absolute abandonment and purpose on stage. The company won favor, but Felesina, in particular, found the delicate balance of technique and honest expression at the core of this fine work.

“Embellish,” Gates’s second work on the program demonstrated her light-hearted side. Performed by dancers from Colorado Ballet, “Embellish,” choreographed to fast-paced classical music, was jam-packed with impressive technique that didn’t overtake the dancers. Adam Still, who performed a number of solos, stood out as a terrific performer and contemporary mover. Colorado Ballet performed this neoclassical piece with verve.
Gotham Dance Festival presents the work of both emerging and established choreographers at the Joyce Theater.




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